From Publishers Weekly
The Soviet upheavals have fueled the glowing talent of Smith (Gorky Park), America's preeminent writer of Russia-based thrillers. Investigator Arkady Renko returns from exile on the Polar Star fleet to find the new Moscow a dramatic battlefield of warlords and entrepreneurs; behind it, as still as a painted backdrop, eight million people standing in line. An ingenious bomb kills Renko's informer the banker for freewheeling black marketeers-leading Arkady's team through the quicksand of mafia-dominated official graft. His workaholic forensics expert, Polina (who must wait in line for morgue time as well as for beets), identifies the bomb method, leading Arkady too close for aparatchik comfort. He is bumped from the case, but only after a clue from the dead man's fax (Where is Red Square?) points him toward a Munich connection. Meanwhile, he is stunned to hear his lost love, Irina, on Munichbased Radio Liberty and with his last bit of clout wrangles a barely official trip to Germany. His mastery of the Russian system stymies the Munich embassy and reunites him with Irina in the midst of nasty fellow citizens bent on national theft. With vital aid from a Munich cop, Arkady links the fax clue to Russian bureaucrats, the ethnic Checken mafia, and German bankers. The novel paints the new post-Soviet aura through the stoic hero's wry humor and leaves Arkady and Irina perfectly poised, like Russia itself, for whatever comes next. Major ad/ promo; author tour.
Copyright 1992 Reed Business Information, Inc.
Review
In this sequel to Gorky Park and Polar Star, set in August 1991, Special Investigator Arkady Renko investigates a mysterious explosion at a midnight Moscow black-market rendezvous. The trail leads to Munich and Berlin. Superbly told, with believable characters and the authentic feel of post-collapse Moscow and post-Wall Berlin. (Kirkus UK)
Inspector Arkady Renko, banished to a Soviet factory-ship in Polar Star (1989), returns to Moscow on the eve of the Coup - and steps into the kind of intrigue, atmosphere, and excitement not seen from Smith since Renko's megaselling debut in Gorky Park (1981). The winds of glasnost may have blown the insubordinate Renko back from exile, but they've also stirred up the Soviet Union's criminal class, which now rules the land hand-in-crooked-hand with the Party's panicking elite - as shown in the mesmerizing opening scene that has Renko meeting with an informer at Moscow's thriving nighttime black market. Minutes after Renko exits the informer's car, it explodes under the impact of two bombs. Why? Renko pursues leads that take him on a spellbinding tour of Moscow (here, a starving city spinning out of control) as he encounters the new Soviet capitalism (a shady entrepreneur who, with green paint and cutout trees, has transformed a bullet-casing factory into an indoor golfing range); the new Soviet mafia (the Chechens, Muslim gangsters ruled by a withered devil named Makhmud); and the old, power-grasping rear guard. A mysterious fax sends Renko chasing a further lead abroad to Munich, where he reunites with Irina, his forsaken lover from Gorky Park. Here, the narrative slackens into a lovers' awkward waltz between Renko and Irina, and between Renko and the material temptations of the West - though it picks up with a sidetrip to Berlin, the ghastly murder of Makhmud, and revelations of stolen art treasures at the root of the killings. The action climaxes on a note of astonishing grace and hope back in Moscow, as Renko concludes his case and joins the radiant masses facing down the tanks on the steps of Boris Yeltsin's White House. A bit long and choppy, but brimming with political insight and psychological nuance, and a powerful reaffirmation of Renko's love/hate for Russia as one of the great romances of thriller fiction.
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